I’ll pour my guts out to you. No, really.

Posted in Suicide on May 14, 2009 by mserni

Austrian painter Richard Gersti (1883-1908) was born before him time.  He came from an affluent family who could afford hiring private tutors for him when his stints at school resulted in “disciplinary difficulties”.  When he was 15 he was accepted into the Academy of Fine Arts in Vienna.  He found the the art of the Vienna Secession to be pretentious and refused to paint in that style.  He left school but by 1906 had his own studio, after having abandoned formal instruction and having shared studio space with Viktor Hammer.  

He was very attracted to musical people and befriended the Austrian composer Arnold Schoenberg, spending summer vacations with his family.  He became very close to Schoenberg’s wife, Mathilde, and soon had begun an affair with her.  In 1908 she left her husband and children to spend time with Gersti in Vienna.  Schoenberg convinced his wife to rejoin him, leaving Gersti in shambles.  He was heartbroken and once again alone and distraught. 

On November 4, 1908, he spent the evening burning all sorts of documents and correspondence that proved his existence.  He then proceeded to hang himself in front of a mirror and disemboweled himself to assure his death.  Gersti’s death made such an impression on Schoenberg that he composed a work called Expectation regarding these events.

The work that survived the fire was stored after his death but in 1930 his brother showed his work to an art dealer who presented his work in an art show, something that had never happened in his lifetime.  His work once again went into hiding during Austria’s Nazi invasion and didn’t resurface until after war.   Sixty-six paintings and 8 drawings survived.  

To see more of Richard Gersti’s work click here.Gersti

Saddam’s Sad Swim

Posted in Art on May 12, 2009 by mserni

Czech artist David Cerny found himself amid a sea of controversy due to his tribute to British artist Damien Hirst.  In his 2005 work titled Shark he suspended a sculpted mold of Saddam Hussein in formaldehyde.  In 2006 this work was banned in Belgium and Poland.

I’m Coo-coo for Cocoa Christ!

Posted in Art, Uncategorized on May 7, 2009 by mserni
Maybe Jesus WAS a chocolate brother?

Maybe Jesus WAS a chocolate brother?

Italian artist Cosimo Cavallaro’s piece titled Sweet Lord was recently at the center of a controversy in New York during Easter week.  The artist created an anatomically correct 6-foot image of Christ made out of dark chocolate and exhibited at the Lab Gallery  Gallery, inciting the outrage of many religious groups.  

The artist, who was raised Catholic, says that the timing of the show was coincidental.  Easter week happened to be when the gallery had an opening.  Two days after the show opened, the gallery’s creative director, Matt Semler resigned amid the controversy.  The gallery was barraged by a slew of calls and e-mails from people who were angered by the piece. 

To see more of Cosimo Cavallaro’s work click here.


Don’t Hate…Litigate!

Posted in Art on May 5, 2009 by mserni

In 1877, art critic John Ruskin wrote that artist James McNeil Whistler was asking “two hundred guineas for flinging a pot of paint in the public’s face”.  The piece in question was Nocturne in Black in Gold: The Falling Rocket.  The painting depicted an impression of a night lit by the streaks and sparks of fireworks.  

Because the opinion of art critics in the 19th century was influential and dictated the public taste, Whistler knew that this review would affect his career.  He decided to do something about the unfavorable review and took Ruskin to court.  He demanded 1000 pounds plus the court costs.  The trial was set to begin in 1878 but was postponed for over a year due to Ruskin’s declining mental health.  When it eventually did go to trial, witnesses were put on the stand to testify about Whistler’s talent and Ruskin’s authority as a critic.

After hearing from various witnesses, the jury ruled in favor of Whistler, stating that Ruskin’s review had been intentionally malicious, however they also noted that Whistler’s painting was worthy of some criticism.   Whistler was awarded one farthing, not the 200 guineas he had originally asked for, and he had to pay his own court fees.

The lawsuit was significant because it marked the merging of the conventional art aesthetic with the movement of art for art’s sake.  Though the trial damaged him financially, he eventually made up for it by receiving countless commissions.  Nocturne in Black and Gold eventually sold for four times the asking price.

To see more of James McNeil Whistler’s work click here.

 

Is this art?

What do you see?

Monet Violated by Drunks

Posted in Vandalism on April 11, 2009 by mserni

In the wee hours of the morning on Sunday, October 7, 2007, a group of drunken youths broke into the Museé D’Orsay.  Not satisfied with their stunt of trespassing into the establishment, they crept to where Claude Monet’s painting, Le Pont d’Argentuil, hung and proceeded to vandalize it by punching a four-inch hole through it.

How is it possible that the security system at the Orsay be fooled by a group of intoxicated teens?  According to the museum the vandals broke in by using a back door that is secured by large bolts.  Unfortunately the large bolts were faulty.  France’s minister of culture called the vandalism “an attack against our memory and our heritage”.   The tear on the canvas will be restored.

Were there any CSUN instructors in Paris in 2007?

I suspect a certain CSUN professor who hates Monet.

 To learn more about Monet’s work click here.

Psycho for Cy

Posted in Vandalism with tags on March 28, 2009 by mserni

Passion can inspire the artist to create a masterpiece.  Sometimes this passion can transcend the canvas and speak directly to the viewer in a voice so strong that it compels them to do something.  Usually this means getting a little too close to the object in order to get a better look or sneaking a picture when the guard isn’t looking.  In 2007, French artist Rindy Sam was overcome with love for Cy Twombly’s all white untitled painting that she was compelled to kiss it.  She was wearing deep red lipstick.

     The incident ocurred at the Lambert Museum in Avignon, where Cy Twombly’s work was being shown as part of his 1997 show “Blooming”.  The 9 x 6 painting, which was valued at over 2 million dollars, was on loan from its owners.  Sam was arrested after museum staff alerted security about what had occurred.  

    Sam was sentenced to 100 hours of community service and was made to pay the owners $1465 to the owners, $730 to the gallery, and $1.50 to the artist.  The painting has been permanently damaged and cannot be restored.  Cy Twombly described the perpetrator as a “woman who thought she was an artist”.

 

The picture below shows a picture of the canvas before and after Sam’s scarlet lips damaged it.

Kiss My White (canv)Ass!

Kiss My White (canv)Ass!

To view more of Cy Twombly’s work click here.

Dali’s Double Image of Gala, or, With Assistants Like You, Who Needs Enemies?

Posted in Art, Theft on March 26, 2009 by mserni

"You messed up my painting!", "I'm so ashamed...NOT!"

"You messed up my painting!", "I'm so ashamed...NOT!"

In 1974, a Dali painting was stolen from the Knoedler Gallery in New York. In 1999 it was found in his assistant’s art gallery in Port Lligat, Spain.

 

 

John Peter Moore had been Dali’s closest assistant for over 20 years. They had met in Rome when Moore arranged payment for a portrait of Sir Lawrence Olivier that Dali painted. Moore became Dali’s personal secretary until Dali’s death from heart failure in 1989.

The painting stolen was The Double Image of Gala, which Dali painted in 1969. The subject was his wife, who sat for many of his paintings. When police found the painting it had been drastically cropped and renamed Dali Painting Gala. Moore’s house was searched further, producing 10,000 faked Dali lithographs.

Taking into consideration Moore’s advanced age and his senility, the Spanish courts never charged Moore for dealing in stolen art. He and his wife, however, were made to pay 1.2 million dollars to the Dali-Gala Foundation which oversees Dali’s heritage, and to pay for the restoration of the The Double Image of Gala.

Moore died in December of 2005 at the age of 86.

Follow

Get every new post delivered to your Inbox.